In Federico Muelas's Art works there is an obsessive purpose to piece  apart the reality he is surrounded by, in an attempt to establish  correspondences among the messages of different nature we perceive by our sense organs and to reveal the chaos around us as the clumsiness to apprehend the underlying order of natural phenomena.

   If we are becoming capable to define precisely the physical process of our perception, could the nature of any message, incorporating the necessary corrections, be changed? Could the inputs and outputs of our sense organs be combined in a new malleable way? what would all the existent shapes sound like? What would the taste of an image be like? What would the smell of a noise be close to? What would a word be to the touch? What would the smell of chocolate sound like?.